CDs

Stockhausen Dirigiert Klassik

Karlheinz Stockhausen

Artist: Karlheinz Stockhausen
Label: Stockhausen-Verlag
Catalog number: Stockhausen 39 A-B
Released: 1993
Country: Germany
Format: Album

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Lore

Why it matters

This recording offers a unique perspective on the repertoire by presenting the interpretative choices of a composer who was himself a significant figure in twentieth-century music. Having the artist guide these classical works provides listeners with an intimate look at how a master of experimental composition approaches established musical traditions.

Written by Pi, the helpful collecto.rs AI

Tracklist

What’s on it

Stockhausen Dirigiert Klassik has 24 tracks.

Joseph Haydn: Konzert Für Trompete Und Orchester In Es-Dur (1796)
1-11. Satz - Allegro5:27
1-2Kadenz Mit Schluß 1. Satz2:09
1-32. Satz - Andante3:41
1-43. Satz - Allegro2:04
1-5Kadenz2:22
1-6Tutti-Einsatz Nach Der Kadenz Bis Ende4:17
Wolfgang Amadeus Mozart: Konzert Für Flöte Und Orchester In G-Dur (1778)
1-71. Satz - Allegro Maestoso7:53
1-8Kadenz Mit Schluß 1. Satz3:03
1-92. Satz - Adagio Non Troppo7:02
1-10Kadenz Mit Schluß 2. Satz3:23
1-113. Satz - RONDO Tempo Di Menuetto4:29
1-12"Übergang"0:46
1-13Fortsetzung Bis Schluß 3. Satz5:24
Wolfgang Amadeus Mozart: Konzert Für Klarinette Und Orchester In A-Dur (1791)
2-11. Satz - Allegro4:24
2-2"Übergang" Und Fortsetzung6:27
2-3Kadenz0:26
2-4Fortsetzung Bis Schluß 1. Satz1:40
2-52. Satz - Adagio4:50
2-6Kadenz0:57
2-7Fortsetzung Bis Schluß 2. Satz3:29
2-83. Satz - RONDO Allegro10:47

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Provenance

Where it came from

Released in 1993 by the composer's own label, Stockhausen-Verlag, this collection represents a rare venture for Karlheinz Stockhausen, one of the most significant figures in 20th-century avant-garde music. While primarily known for his pioneering work in electronic music and serialism, this release documents his efforts as a conductor interpreting works from the classical canon. It serves as an archival window into how a composer deeply rooted in radical innovation approached the traditional structures of Western art music.

The design of the release reflects the rigorous, self-managed aesthetic characteristic of Stockhausen-Verlag. Like much of the composer’s discography from this era, the visual presentation is minimal and clinical, intended to function as a direct, unadorned document of his artistic process. Because Stockhausen exercised total control over the production and distribution of his work during this period, the release is viewed by musicologists primarily as an essential component of his complete catalog rather than a commercial foray into mainstream classical performance.

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