The Songs Of Solomon, Volume 1: Music For The Sabbath
Salomone Rossi, The New-York Baroque Ensemble, Eric Milnes
- Label
- PGM (Pro Gloria Musicae)
- Catalog number
- PGM 108
- Released
- 1996
- Country
- US
- Barcode
- 702801010829
What’s on it
The Songs Of Solomon, Volume 1: Music For The Sabbath has 17 tracks, about 44:12 of music.
- 1Haleluyah Haleli Nafshi Et Adonai
- 2Yigdal
- 3Kaddish
- 4Barchu
- 5Hashkiveinu
- 6Keter (Kedushah)
- 7Haleluyah, Ashrei Ish Yare Et Adonai
- 8Elohim Hashiveinu
- 9Mizmor L'David
- 10Mizmor L'Asaf
- 11Haleluyah, Ode Ladonai
- 12Shir Lamma'alot, Essa Einai
- 13Kaddish
- 14Adon Olam
- 15Lamnatseach Binginot Mizmor Shir
- 16Mizmor Shir L'yom Hashshabat
- 17Ein Kehloheinu
Where to find one
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Where it came from
Released in 1996 by PGM (Pro Gloria Musicae), this recording presents a selection from Salomone Rossi's seminal 1622 collection, 'Ha-shirim asher li-Shelomoh' (The Songs of Solomon). Rossi, a virtuoso violinist and composer at the court of the Gonzaga family in Mantua, was a pioneer in integrating the sophisticated Italian polyphonic style of the early Baroque with traditional Hebrew liturgical texts. This synthesis marked a significant milestone in Jewish musical history, representing one of the first times Jewish choral music adopted the complex, multi-voiced structures typical of the European Renaissance and Baroque eras.
The New-York Baroque Ensemble, under the direction of Eric Milnes, sought to capture the intimacy and specific acoustic requirements of synagogue performance in the 17th century. By utilizing period-appropriate instrumental support and vocal techniques, the ensemble aimed to balance the rigorous discipline of Rossi's counterpoint with the spiritual gravity of the Sabbath liturgy. The recording was well-received by early music scholars and critics for its dedicated scholarship and its commitment to highlighting this unique intersection of Jewish cultural tradition and the burgeoning Italian Baroque movement.
Written by Pi, the helpful collecto.rs AI
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