Toni Holgersson
Toni Holgersson
- Artist
- Toni Holgersson
- Label
- MNW
- Catalog number
- MNWCD 176
- Released
- 1989
- Country
- Sweden
- Format
- Album
What’s on it
Toni Holgersson has 11 tracks, about 50:04 of music. Open a track to see who wrote, played on and produced it.
1Kom Till Mig
- Double Bass
- Teddy Walter
- Drums
- André Ferrari
- Guitar
- Per Alm
- Keyboards
- Stephan Forkelid
2Allt Vad Jag Vill
- Double Bass
- Per V Johansson
- Drums, Percussion
- André Ferrari
- Guitar
- Per Alm
- Keyboards
- Stephan Forkelid
- Viola
- Jarl Högbom
- Violin
- Anders Wall, Lars Widén
- Violoncello
- Ragne Pettersson
3Karaff Med Vatten
- Accordion
- Magnus Lind
- Double Bass
- Teddy Walter
- Flugelhorn
- Peter Asplund
- Guitar
- Max Åhman
- Percussion
- Rafael Sida
4Vit Het Sand
- Keyboards
- Stephan Forkelid
- Talking Drum
- André Ferrari
- Trumpet
- Peter Asplund
5Älska Igen
- Bass
- Teddy Walter
- Drums
- André Ferrari
- Flugelhorn
- Peter Asplund
- Guitar
- Per Alm
- Keyboards, Grand Piano
- Stephan Forkelid
6Lång Väg
- Drums, Bass
- André Ferrari
- Guitar
- Per Alm
- Harmonica
- Janne Sjöström
- Keyboards
- Stephan Forkelid
7I Parken
- Accordion
- Magnus Lind
- Double Bass
- Teddy Walter
- Guitar
- Max Åhman
8Som Regn Sköljer Rent
- Double Bass
- Per V Johansson
- Keyboards, Grand Piano
- Stephan Forkelid
- Violin
- Lars Widén
9Utanför Mitt Fönster
- Bass
- Teddy Walter
- Drums, Percussion
- André Ferrari
- Guitar
- Per Alm
- Keyboards
- Stephan Forkelid
- Trumpet
- Peter Asplund
- Viola
- Jarl Högbom
- Violin
- Anders Wall, Lars Widén
10Singoallas Sång
- Guitar
- Per Alm
- Keyboards
- Stephan Forkelid
- Violin
- Lars Widén
11I Natt Är Vi Älskande
- Double Bass
- Teddy Walter
- Flugelhorn
- Peter Asplund
- Grand Piano
- Stephan Forkelid
- Viola
- Jarl Högbom
- Violin
- Anders Wall, Lars Widén
- Violoncello
- Ragne Pettersson
Where to find one
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Where it came from
Released in 1989 on the MNW label, the self-titled debut album by Swedish singer-songwriter Toni Holgersson introduced an artist who would become a defining voice in Swedish folk-rock. Produced during a period when the Swedish independent music scene was fostering a resurgence of introspective, lyric-driven music, the record helped establish Holgersson as a successor to the tradition of troubadours like Cornelis Vreeswijk and Fred Åkerström.
The album reflects a stark, stripped-back aesthetic that emphasizes the raw emotive quality of Holgersson’s voice and his narrative-focused songwriting. By leaning into melancholic themes and acoustic instrumentation, the production aimed for an authentic and unadorned soundscape that resonated with critics seeking genuine storytelling. It was received as a promising debut, marking the beginning of a long career defined by its consistent commitment to poetic, often somber reflections on life in Sweden.
Written by Pi, the helpful collecto.rs AI
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