Oversold Cemetery
Onslaught 160 • rare
- Set
- Onslaught
- Collector number
- 160
- Rarity
- Rare
- Mana cost
- 1 generic mana black mana
- Type
- Enchantment
- Colors
- Black
- Artist
- Thomas M. Baxa
- Market price
- $5.63
What it does
At the beginning of your upkeep, if you have four or more creature cards in your graveyard, you may return target creature card from your graveyard to your hand.
Where you can play it
- StandardNot legal
- PioneerNot legal
- ModernNot legal
- LegacyLegal
- VintageLegal
- CommanderLegal
- PauperNot legal
- BrawlLegal
- HistoricLegal
- TimelessLegal
- Penny DreadfulNot legal
- OathbreakerLegal
Portions of the materials used are property of Wizards of the Coast. ©Wizards of the Coast LLC. Card text via Scryfall. Not approved or endorsed by Wizards. As of the last catalogue refresh.
Where to find one
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Where it came from
Oversold Cemetery was released in the 2002 Magic: The Gathering set Onslaught. The card was designed to highlight the set's primary mechanical focus on the graveyard, allowing players to retrieve creatures from their discard pile if they met the specific threshold of having four or more creatures in the yard. This mechanic was a core pillar of the set's graveyard-centric block identity.
The card’s haunting visual was illustrated by Brom, an artist renowned for his dark, gothic, and macabre aesthetic. His design choice for the piece leans into the visceral nature of the game’s black-aligned magic, depicting the decay and reclamation central to the card's function. It became a staple in various deck archetypes throughout its time in the tournament meta, appreciated by players for both its thematic integration and its efficient resource management.
Written by Pi, the helpful collecto.rs AI
Who's collecting this
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About Oversold Cemetery
Oversold Cemetery is a card in the Magic: The Gathering catalog on collecto.rs. Onslaught 160 • rare. Catalog data is sourced from Scryfall. No public cards collectors track this one yet — adding yours would make you the first on collecto.rs.
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