Das Parallel-Meeseversum Erwies Sich Vor Dem RMX-Fallout Für Den Planeten Kepler 452b/p (Parallele Existenz) Die Oberfläche Betreffend Als Kaffeefleckenlandschaft In Der Es Keine Vegetation Zu Geben Schien. Erst Der RMX-Fallout Führte Dazu, Dass Parall

Released in the early 2010s by the German label Psych.KG, this record represents a collaborative intersection between noise, avant-garde performance, and conceptual art. The label, known for its commitment to the extreme fringes of experimental sound, provided a platform for the multifaceted project involving artist Jonathan Meese and the ensemble Kommissar Hjuler and Mama Bär. The work is deeply embedded in the context of German underground tape and vinyl culture, characterized by a refusal of traditional song structures in favor of atmospheric soundscapes and dadaist explorations.

The elaborate title, a hallmark of the collaboration, reflects the dense, chaotic conceptualism often associated with Meese's visual work. Designed to challenge the listener's perception of space and narrative, the record serves as a sonic document of an abstract 'parallel universe' theme. As with much of the catalog produced under the Psych.KG imprint, the release was never intended for mainstream reception; it was designed as an ephemeral, limited-edition artifact for a niche audience of avant-garde enthusiasts, prioritizing theoretical inquiry over commercial appeal.