Konzert In D KV.537 (Krönungskonzert) / Konzert In A KV.488 Für Klavier Und Orchester

Released by the boutique Japanese label Audio Lab. Record, this pressing of Mozart’s Piano Concertos No. 26, the 'Coronation,' and No. 23 reflects the intense dedication to high-fidelity audio prevalent in the Japanese audiophile community during the 1970s. Audio Lab. Record was founded by Okihiko Sugano, a legendary figure in Japanese sound engineering who sought to capture the most transparent and natural acoustic representations of orchestral performances. By pairing pianist Meiko Miyazawa with the Nagoya Philharmonic Orchestra, the label aimed to create a reference-grade recording that prioritized spatial realism and instrumental texture over standard commercial production values.

The production process for this release was highly curated by Sugano, who utilized specialized microphone techniques and direct-to-disc or high-quality tape-to-disc transfers intended for discerning listeners. The design of the record, released under catalog number ALC-1058, is marked by a minimalist and technical aesthetic that emphasizes the technical specifications and the fidelity of the session. It remains a sought-after artifact among classical music collectors, not only for the interpretation of Mozart's concertos but as a premier example of the meticulous craftsmanship that characterized Japanese independent labels during the golden age of analog vinyl production.