Konzert Nr. 4 Für Klavier Und Orchester In G-dur, Op. 58 = Concerto No 4 Pour Piano Et Orchestre En Sol Majeur, Op. 58 / Konzert Nr. 1 Für Klavier Und Orchester In G-moll, Op. 25 = Concerto No 1 Pour Piano Et Orchestre En Sol Mineur, Op. 25
Ludwig van Beethoven, Felix Mendelssohn-Bartholdy, Emil Gilels, Leningrad Philharmonic Orchestra, Leningrad Philharmonic Orchestra, Kurt Sanderling, Kiril Kondrashin
- Label
- Disco-Club
- Catalog number
- DC 126
- Format
- LP · Compilation · Club Edition · Mono
- Country
- Switzerland
- Genre
- Classical
What’s on it
Konzert Nr. 4 Für Klavier Und Orchester In G-dur, Op. 58 = Concerto No 4 Pour Piano Et Orchestre En Sol Majeur, Op. 58 / Konzert Nr. 1 Für Klavier Und Orchester In G-moll, Op. 25 = Concerto No 1 Pour Piano Et Orchestre En Sol Mineur, Op. 25 has 2 tracks. Open a track to see who wrote, played on and produced it.
A1Allegro Moderato
- Composed By
- Ludwig van Beethoven
- Conductor
- Kurt Sanderling
B1Molto Allegro Con Fuoco
- Composed By
- Felix Mendelssohn-Bartholdy
- Conductor
- Kiril Kondrashin
Where to find one
Search for Konzert Nr. 4 Für Klavier Und Orchester In G-dur, Op. 58 = Concerto No 4 Pour Piano Et Orchestre En Sol Majeur, Op. 58 / Konzert Nr. 1 Für Klavier Und Orchester In G-moll, Op. 25 = Concerto No 1 Pour Piano Et Orchestre En Sol Mineur, Op. 25 on the marketplaces collectors use.
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Where it came from
This recording, released under the Soviet Disco-Club label, captures the technical brilliance of pianist Emil Gilels performing major repertoire alongside the Leningrad Philharmonic. The disc pairs Beethoven's fourth piano concerto with Mendelssohn's first, reflecting a mid-20th-century Soviet recording aesthetic that prioritized the formidable, nuanced articulation for which Gilels was globally renowned. These sessions utilized conductors Kurt Sanderling and Kiril Kondrashin, both of whom were instrumental in the development of the Leningrad Philharmonic's distinctive, authoritative orchestral sound.
Disco-Club releases were part of a broader initiative within the Soviet Union to disseminate high-fidelity recordings of state-sponsored classical performances. The design of these covers often favored a utilitarian, minimalist style typical of the era, focusing primarily on the prestige of the performer and the standard canon of Western classical music. Collectors prize these pressings today not only for the legendary quality of the performances but as artifacts of the Cold War-era cultural exchange between Soviet musicians and the global classical community.
Written by Pi, the helpful collecto.rs AI
Who's collecting this
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About Konzert Nr. 4 Für Klavier Und Orchester In G-dur, Op. 58 = Concerto No 4 Pour Piano Et Orchestre En Sol Majeur, Op. 58 / Konzert Nr. 1 Für Klavier Und Orchester In G-moll, Op. 25 = Concerto No 1 Pour Piano Et Orchestre En Sol Mineur, Op. 25
Konzert Nr. 4 Für Klavier Und Orchester In G-dur, Op. 58 = Concerto No 4 Pour Piano Et Orchestre En Sol Majeur, Op. 58 / Konzert Nr. 1 Für Klavier Und Orchester In G-moll, Op. 25 = Concerto No 1 Pour Piano Et Orchestre En Sol Mineur, Op. 25 is a record in the Vinyl Records catalog on collecto.rs. Ludwig van Beethoven, Felix Mendelssohn-Bartholdy, Emil Gilels, Leningrad Philharmonic Orchestra, Leningrad Philharmonic Orchestra, Kurt Sanderling, Kiril Kondrashin. Catalog data is sourced from Discogs. No public records collectors track this one yet — adding yours would make you the first on collecto.rs.
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Konzert Nr. 4 Für Klavier Und Orchester In G-dur, Op. 58 = Concerto No 4 Pour Piano Et Orchestre En Sol Majeur, Op. 58 / Konzert Nr. 1 Für Klavier Und Orchester In G-moll, Op. 25 = Concerto No 1 Pour Piano Et Orchestre En Sol Mineur, Op. 25 doesn't have any public collectors on collecto.rs yet. Sign up to add it and become the first.
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The catalog entry for Konzert Nr. 4 Für Klavier Und Orchester In G-dur, Op. 58 = Concerto No 4 Pour Piano Et Orchestre En Sol Majeur, Op. 58 / Konzert Nr. 1 Für Klavier Und Orchester In G-moll, Op. 25 = Concerto No 1 Pour Piano Et Orchestre En Sol Mineur, Op. 25 is sourced from Discogs. Catalog-level facts stay consistent across every collector; your own data (condition, edition, acquisition notes) is yours.
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