Lamination / Concert Piece For Synket & Symphony Orchestra / Violin Concerto

Released in 1971 on the budget-friendly Turnabout label, this record functions as a survey of mid-century experimental and orchestral composition. It features works by Morton Subotnick, John Eaton, and William Bergsma, reflecting a period when labels like Turnabout played a crucial role in bringing avant-garde and contemporary classical music to a wider, non-academic audience. The inclusion of the Synket, an early portable modular synthesizer developed by Paul Ketoff, highlights the era's fascination with integrating electronic soundscapes into traditional orchestral arrangements.

The production brought together distinct ensembles, including the Buffalo Philharmonic conducted by Lukas Foss and the Dallas Symphony under Donald Johanos. The design and curation of such releases were intended to contextualize contemporary American composition alongside international performances, such as those by the Polish Radio and Television Orchestra. These recordings were generally received as ambitious attempts to archive complex modern works, serving as a vital bridge between the conservatory world and the record-buying public interested in the burgeoning field of electronic music.