Sun: The Roots Of Rock: Volume 9: More Rebel Rockabilly
Various
- Artist
- Various
- Label
- Charly Records
- Catalog number
- CR 30116
- Format
- LP · Compilation · Repress · Mono
- Country
- Greece
- Released
- 1979
- Genre
- Rock
What’s on it
Sun: The Roots Of Rock: Volume 9: More Rebel Rockabilly has 16 tracks. Open a track to see who wrote, played on and produced it.
A1Swanee River Rock
- Bass
- Pat O'Neill
- Drums
- Jimmy Van Eaton
- Piano
- Charlie Rich
- Saxophone
- Martin Willis
A2All My Sins Are Taken Away
- Bass
- Johnny Ray Hubbard
- Drums
- Russell Smith (6)
- Guitar
- Jack Nance, Joe Lewis (4)
- Piano
- Kern Kennedy
A3She's A Woman
- Drums
- Clyde Leoppard
- Guitar
- Buddy Holobaugh
A4Hula Bop
- Drums
- Clyde Leoppard
- Guitar
- Buddy Holobaugh
- Steel Guitar
- Stan Kesler
A5Don't Be Runnin' Wild (Problem Child)
- Bass
- Jack Clement
- Drums
- Jimmy Van Eaton
- Guitar
- Billy Lee Riley
- Piano
- Charlie Rich
- Saxophone
- Bill Justis
A6I Was A Fool
- Bass
- Jack Clement
- Drums
- Jimmy Van Eaton
- Guitar
- Billy Lee Riley
- Piano
- Charlie Rich
- Saxophone
- Bill Justis
- Vocals
- Roy Orbison
A7Move Baby Move
- Guitar
- Don Gililland
A8This Old Heart Of Mine
- Bass
- Toomstone Hawkins
- Drums
- Tarp Tarrant
- Piano
- Jimmy Smith (56)
- Saxophone
- Gilbert Mickel
- Steel Guitar
- John Hughey
- B1Long Time Gone
B2Your True Love
- Bass
- Clayton Perkins
- Drums
- W.S. Holland
- Guitar
- Jay Perkins
- Piano
- Jerry Lee Lewis
B3It Won't Happen With Me
- Bass
- Bob Moore
- Drums
- Buddy Harman
- Guitar
- Kelso Herston, Wayne Moss
- B4High, High, High
- B5Fool Proof
- B6You Better Believe It
B7Judy
- Bass
- Dick Ketner
- Drums
- Otis Jett
- Guitar
- Roland Janes
- Piano
- Jimmy Smith (56)
B8Leave It To Me
- Bass
- Jack Clement
- Drums
- Jimmy Van Eaton
- Guitar
- Billy Lee Riley
- Piano
- Ed Thomas
Where to find one
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Where it came from
Released in 1979 by the UK-based Charly Records, this compilation is part of the comprehensive Sun: The Roots of Rock series. Charly Records played a pivotal role in the late 1970s by licensing and reissuing the deep catalog of Sam Phillips’s Sun Records, which had been dormant for years. This particular volume, focused on rockabilly, was intended to curate the raw, energetic, and often overlooked tracks that defined the early days of rock and roll in Memphis.
The design of the series leaned into the vintage aesthetic of the mid-1950s, utilizing original promotional imagery and era-appropriate typography to emphasize the authenticity of the recordings. Collectors and critics generally regarded the Charly series as essential archival work, as it provided high-quality access to rare studio outtakes and B-sides that were previously buried in the Sun vaults, helping to cement the rockabilly revival of the late 1970s.
Written by Pi, the helpful collecto.rs AI
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