Лютневая Музыка XVI-XVII Веков
Vladimir Vavilov
- Artist
- Vladimir Vavilov
- Label
- Мелодия
- Catalog number
- 33 СМ 02059-60
- Format
- LP · Album · Repress · Stereo
- Country
- USSR
- Released
- 1988
- Genre
- Classical
What’s on it
Лютневая Музыка XVI-XVII Веков has 10 tracks. Open a track to see who wrote, played on and produced it.
A1Сюита Для Лютни: Канцона И Танец
- Composed By [Как указано на пластинке]
- Francesco Canova da Milano
- Written By [Наиболее вероятный автор]
- Vladimir Vavilov
A2Спандольетта
- Composed By
- Traditional
- French Horn
- Виталий Буяновский
A3Ave Maria
- Composed By [Как указано на пластинке]
- Anonymous
- Organ
- Mark Shakhin
- Vocals [Mezzo-soprano]
- Nadezhda Vainer
- Written By [Наиболее вероятный автор]
- Vladimir Vavilov
A4Ричеркар
- Composed By
- Nicolo Nigrino
- Organ
- Mark Shakhin
A5Сюита Для Лютни: Павана И Гальярда
- Composed By
- Vincenzo Galilei
B1Чакона
- Composed By
- Hans Neusiedler
B2Песня "Зеленые Рукава" И Гальярда
- Composed By
- Traditional
- Oboe
- Vladimir Kurlin
B3Турдьон
- Composed By
- Traditional
- Flute
- Lev Perepelkin
B4Пастурелла
- Composed By
- Jean-Antoine de Baïf
- Harpsichord
- Mark Shakhin
B5Гавот
- Composed By
- Denis Gaultier (2)
- Flute
- Lev Perepelkin
Where to find one
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Where it came from
Released by the Melodiya label in 1988, this record is a quintessential example of a deliberate musical forgery that fooled the public for decades. Vladimir Vavilov, a Soviet guitarist and composer, originally attributed these compositions to various Renaissance and Baroque lutenists, including Francesco da Milano and John Dowland. His intent was to breathe life into the lute repertoire, which was largely ignored in the Soviet Union at the time, by presenting 'discovered' works that felt authentic to the period.
The album holds a unique place in music history due to the most famous piece in the collection, the 'Ave Maria,' which Vavilov famously attributed to Giulio Caccini. The design and presentation of the record leaned heavily into the Romanticized, scholarly aesthetic of the late Soviet period, utilizing formal, archival-style cover art to lend an air of legitimacy to the compositions. Following Vavilov's death in 1973, musicologists eventually deconstructed the works and identified them as modern pastiches, cementing the record's legacy as one of the most successful and beloved musical hoaxes of the twentieth century.
Written by Pi, the helpful collecto.rs AI
Who's collecting this
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About Лютневая Музыка XVI-XVII Веков
Лютневая Музыка XVI-XVII Веков is a record in the Vinyl Records catalog on collecto.rs. Vladimir Vavilov. Catalog data is sourced from Discogs. No public records collectors track this one yet — adding yours would make you the first on collecto.rs.
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