Ze Złotych Kart Pianistyki Polskiej = The Golden Pages Of Polish Pianistic Art
Various
- Artist
- Various
- Label
- Polskie Nagrania Muza
- Catalog number
- XL 0157
- Format
- LP · Compilation · Mono
- Country
- Poland
- Released
- 1963
- Genre
- Classical
What’s on it
Ze Złotych Kart Pianistyki Polskiej = The Golden Pages Of Polish Pianistic Art has 50 tracks. Open a track to see who wrote, played on and produced it.
A1Etude In C Sharp Minor Op. 25
- Piano
- Ignacy Jan Paderewski
A2Two Mazurkas: In A Flat Major, In F Sharp Minor
- Arranged By
- Franz Liszt
- Piano
- Ignacy Jan Paderewski
A3Maiden's Wish
- Piano
- Ignacy Jan Paderewski
A4Minuet In G Major Op. 14
- Piano
- Ignacy Jan Paderewski
A5La Leggierezza
- Piano
- Ignacy Jan Paderewski
B1Rondo In E Flat Major Op. 11
- Piano
- Ignaz Friedman
B2Two Songs Without Words: In F Sharp Minor, In A Major
- Piano
- Ignaz Friedman
B3Two Mazurkas: In F Minor, In B Minor
- Piano
- Ignaz Friedman
B4Two Etudes In G Flat Major
- Piano
- Ignaz Friedman
B5Nocturne In E Flat Major Op 55
- Piano
- Ignaz Friedman
B6La Campanella
- Arranged By
- Ferruccio Busoni
- Piano
- Ignaz Friedman
C1Pastorale & Capriccio
- Arranged By
- Carl Tausig
- Piano
- Josef Hofmann
C2Scherzo In B Minor Op. 20
- Piano
- Josef Hofmann
C3My Joy
- Arranged By
- Franz Liszt
- Piano
- Josef Hofmann
C4Tarantella From "Venezia E Napoli"
- Piano
- Josef Hofmann
C5Prelude In G Minor Op. 23
- Piano
- Josef Hofmann
C6Magic Fire Spell From "Die Walküre"
- Arranged By
- Louis Brassin
- Piano
- Josef Hofmann
D1Hungarian Rhapsody No. 2
- Piano
- Moriz Rosenthal
D2Mazurka In G Minor Op. 67 Nr. 1
- Piano
- Moriz Rosenthal
D3"Carnaval De Vienne" On The Themes Of J. Strauss
- Piano, Composed By
- Moriz Rosenthal
D4Ballade In F Major Op. 38
- Piano
- Zofia Rabcewiczowa
D5Two Mazurkas: In C Sharp Minor, In C Major
- Piano
- Zofia Rabcewiczowa
E1Polonaise In A major Op. 40 Nr. 1
- Piano
- Aleksander Michałowski
E2Two Waltzes: In D Flat Major, In C Sharp Minor
- Piano
- Aleksander Michałowski
E3Mazurka In C Sharp Minor Op, 63 Nr. 3
- Piano
- Aleksander Michałowski
E4Fantasy In D Minor KV 397
- Piano
- Wanda Landowska
E5Waltz In F Major Op. 34 Nr. 3
- Piano
- Janina Familier-Hepnerowa
E6Nocturne In F Sharp Major Op. 15 Nr. 2
- Piano
- Róża Etkinówna
E7Mazurka In C Sharp Minor Op, 50 Nr. 3
- Piano
- Róża Etkinówna
E8La Fileuse
- Arranged By
- Henryk Melcer
- Piano
- Maria Barrówna
F1Sonata In E Major (Mov. 3) Op. 109
- Piano
- Józef Śmidowicz
F2Mazurka In F Major Op, 68 Nr. 3
- Piano
- Józef Śmidowicz
F3Prelude In G Major Op, 28 Nr. 3
- Piano
- Józef Śmidowicz
F4Les Fifres
- Piano
- Jerzy Żurawlew
F5Ecossaises
- Piano
- Jerzy Żurawlew
F6Etude In A Minor Op. 10 Nr. 2
- Piano
- Jerzy Żurawlew
F7Waltz In D Flat Major
- Arranged By
- Aleksander Michałowski
- Piano
- Jerzy Żurawlew
G1Frühlingslied
- Piano
- Leopold Godowsky
G2Nocturne In D Flat Major Op.27 Nr. 2
- Piano
- Leopold Godowsky
G3Prelude In C Sharp Minor Op.3 Nr. 2
- Piano
- Leopold Godowsky
G4Spanish Dance
- Piano
- Leopold Godowsky
G5Waltz In E Flat Major Op.18
- Piano
- Raoul Koczalski
G6Berceuse Op. 57
- Piano
- Raoul Koczalski
G7Ecossaises Op. 72
- Piano
- Raoul Koczalski
H1Spinning Song From "Der Fliegende Holländer"
- Arranged By
- Franz Liszt
- Piano
- Stanisław Szpinalski
H2Waltz In A Flat Major Op. 42
- Piano
- Stanisław Szpinalski
H3Mazurka
- Piano
- Stanisław Szpinalski
H4La Puerta Del Vino
- Piano
- Stanisław Szpinalski
H5"General Lavine" - Eccentric
- Piano
- Stanisław Szpinalski
H6Chromatic Fantasy And Fugue
- Piano
- Stanisław Szpinalski
Where to find one
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Where it came from
Released in 1963 by the state-owned Polskie Nagrania Muza, this compilation served as a historical retrospective of Poland's rich tradition in classical piano performance. Produced during a period when the label was systematically archiving the country's musical heritage, the record sought to solidify the legacy of Polish virtuosos for both domestic listeners and an international audience interested in the Chopin tradition.
The album design reflects the mid-century aesthetic favored by the label, often characterized by clean typography and minimalist covers that allowed the historical significance of the recordings to take center stage. By gathering these key performances, the curators aimed to curate a definitive sonic document of Polish artistry, which was well-received by critics and musicologists as a vital reference for mid-twentieth-century piano interpretation.
Written by Pi, the helpful collecto.rs AI
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About Ze Złotych Kart Pianistyki Polskiej = The Golden Pages Of Polish Pianistic Art
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