Doraemon
1973 • Tokyo Movie Shinsha
- Format
- TV
- Aired
- 1973
- Episodes
- 26
- Status
- Finished
- Studio
- Tokyo Movie Shinsha
- Genres
- Adventure · Comedy · Fantasy
Nobita Nobi is so hapless that his 22nd century decendants are still impoverished as a result of his 20th century bumbling. In a bid to raise their social status, their servant, a robotic cat named Doraemon, decides to travel back in time and guide Nobita on the proper path to fortune. Unfortunately Doraemon, a dysfunctional robot that the familly acquired by accident (but chose to keep nonetheless), isn't much better off than Nobita. The robot leads Nobita on many adventures, and while Nobita's life certainly is more exciting with the robot cat from the future, it is questionable if it is in fact better in the way that Doraemon planned.
Note: Most of the episodes are lost; a fire destroyed most of the film prints. Of the 52 segments made, only 21 are known to survive (two of which have no audio).
Synopsis from AniList
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Where it came from
The 1973 Doraemon television series, produced by Nippon TV Doga (often associated with the broader Tokyo Movie Shinsha network production sphere), represents the first animated adaptation of the beloved manga created by Fujiko F. Fujio. Conceived during a time when manga-to-anime transitions were becoming a cornerstone of Japanese television, this inaugural series sought to translate the whimsical charm of a robotic cat from the future into a visual format for younger audiences, setting the foundational aesthetic for a franchise that would eventually become a cultural touchstone.
The design of this specific iteration was distinct from the widely recognized 1979 version, featuring a slightly more experimental aesthetic that reflected the animation techniques of the early seventies. While the series was relatively short-lived due to production complications at Nippon TV Doga, it is historically significant as the initial attempt to bring Doraemon to the screen. Although it was not as commercially enduring as later adaptations, it is viewed by scholars of animation history as an essential, if somewhat obscure, precursor that established the character's presence in the global media landscape.
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