Markus Raetz

This publication was released in 1988 by the Swiss Federal Office of Culture, serving as a comprehensive catalogue for the artist Markus Raetz. It was produced in the context of Switzerland’s dedication to documenting its contemporary avant-garde, specifically highlighting Raetz’s transition into international prominence. The book functions as a scholarly survey of his early career, focusing on the conceptual rigor and visual playfulness that defined his status as one of the most influential Swiss artists of the late 20th century.

The design of the volume reflects Raetz’s own preoccupation with perception, anamorphic imagery, and the mechanics of seeing. It was curated to present his sculptures, installations, and intricate drawings in a way that forces the reader to physically engage with the medium, mirroring the artist's insistence that the viewer's position determines the meaning of the work. Upon its release, the volume was well-received within the European art community for its clean, Swiss-minimalist aesthetic, which provided a grounded framework for Raetz’s often elusive and shifting subject matter.