CDs

Chant Grégorien : Carême - Pâques

Choeur des moines de l'Abbaye de Triors

Artist: Choeur des moines de l'Abbaye de Triors
Label: Studio SM
Catalog number: D3105
Released: 2012
Country: France
Barcode: 3133580131059

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Lore

Why it matters

This collection features the Choeur des moines de l'Abbaye de Triors performing a selection of Gregorian chants focused on the liturgical seasons of Lent and Easter. Through the recordings released by Studio SM, listeners can experience the meditative tradition of monastic vocal music preserved in its original, sacred context.

Written by Pi, the helpful collecto.rs AI

Tracklist

What’s on it

Chant Grégorien : Carême - Pâques has 142 tracks.

Messes D'avant Carême
Septuagésime
01Introitus (Circumdedérunt)
02Graduale (Adjutor)
03Tractus (De Profundis)
04Offertorium (Bonum Est)
05Communio (Illumina)
Sexagésime
06Introitus (Exsurge)
07Graduale (Sciant Gentes)
08Tractus (Commovisti)
09Offertorium (Perfice)
10Communio (Introibo)
Quinquagésime
11Introitus (Esto Mihi)
12Graduale (Tu Es Deus)
13Tractus (Jubilate Domino)
14Offertorium (Benedictus Es)
15Communio (Manducavérunt)
Mercredi Des Cendres
16Antiphona (Exaudi Nos)
17Antiphona ( Immutémur)
18Antiphona (Juxta Vestibulum)
119Responsorium (Emendémus)
120Introitus (Miseréris Omnium)
121Graduale (Miserére Mei)
122Tractus (Domine)
123Offertorium (Exaltabo Te)
124Communio (Qui Meditabitur)
125Responsorium (Media Vita)
"Printemps 1" - Messes Des Dimanches De Carême
1er Dimanche De Carême
01Introitus (Invocabit Me)
02Graduale (Angelis Suis)
03Tractus (Qui Habitat)
04Offertorium (Scapulis Suis)
05Communio (Scapulis Suis)
2e Dimanche De Carême
06Introitus (Reminiscere)
07Graduale (Tribulationes)
08Tractus (Confitémini)
09Offertoire (Meditabor)
10Communio (Intellege)
3e Dimanche De Carême
11Introitus (Oculi Mei)
12Graduale (Exsurge)
13Tractus (Ad Te Levavi)
14Offertorium (Justitiae)
15Communio (Passer)
16Responsorium (Attende, Domine)
"Printemps 2" - Messes Des Dimanches De Carême
4e Dimanche De Carême - Laetare
01Introitus (Laetare)
02Graduale (Laetatus Sum)
03Tractus (Qui Confidunt)
04Offertorium (Laudate Dominum)
05Communio (Jerusalem)
5e Dimanche De Carême (Passion)
06Introitus (Judica Me)
07Graduale (Eripe Me)
08Tractus (Saepe Expugnavérunt Me)
09Offertorium (Confitébor Tibi)
10Communio (Hoc Corpus)
Dimanche Des Rameaux
11Antiphona (Pueri Hebraeorum Jn 12,13)
12Antiphona (Pueri Hebraeorum Mt 21, 8-9)
13Antiphona (Cum Angelis)
14Hymnus (Gloria Laus)
15Introitus (Domine, Ne Longe)
16Graduale (Tenuisti Manum)
17Tractus (Deus, Deus Meus)
18Offertorium (Impropérium)
19Communio (Pater)
Temps Pascal 1
Messe Du Dimanche De Pâques
01Sonnerie Des Cloches De L'Abbaye
02Hymnus (Salve Festa Dies)
03Introitus (Resurréxi)
04Kyrie I (Lux Et Origo)
05Gloria I (Lux Et Origo)
06Graduale (Haec Dies)
07Alleluia (Pascha Nostrum)
08Sequentia (Victimae Paschali)
09Offertorium (Terra Trémuit)
10Sanctus I (Lux Et Origo)
11Agnus I (Lux Et Origo)
12Communio (Pascha Nostrum)
Messe Du 1er Dimanche Après Pâques (Quasimodo)
13Introitus (Quasimodo)
14Kyrie VI (Ad Libitum)
15Alleluia (In Die Resurrectionis)
16Alleluia (Post Dies)
17Offertorium (Angelus Domini)
18Communio (Mitte Manum Tuam)
Messe Du 2e Dimanche Après Pâques
19Introitus (Misericordia Domini)
20Alleluia (Cognovérunt)
21Alleluia (Ego Sum Pastor Bonus)
22Offertorium (Deus, Deus Meus)
23Communio (Ego Sum Pastor Bonus)

Showing the first 100 of 142 tracks.

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Provenance

Where it came from

This recording features the Choeur des moines de l'Abbaye de Triors, a community of Benedictine monks established in the Drôme region of France. The Abbey is part of the Congregation of Solesmes, an order deeply rooted in the preservation and performance of traditional Gregorian chant. This specific collection was produced by Studio SM, a label long dedicated to documenting liturgical music and sacred choral traditions, intended to provide listeners with an authentic experience of the monastic prayer cycle observed during the Lenten and Easter seasons.

The musical arrangement adheres strictly to the rhythmic and melodic traditions of the Solesmes school, which seeks to restore the fluidity and prayerful character of medieval chant. The collection was designed to serve as a meditative aid, stripping away modern artifice to highlight the resonance of the human voice within the acoustic environment of the abbey. Upon release, it found a niche audience among enthusiasts of sacred music and those seeking contemplative soundscapes, being received as a disciplined and reverent interpretation of the Propers of the Mass for the most significant period in the Christian liturgical calendar.

Written by Pi, the helpful collecto.rs AI

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