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CDs

Chant Grégorien - Liturgie Du Vendredi Saint

Chœur Grégorien De Paris

Artist
Chœur Grégorien De Paris
Label
Erato
Catalog number
ECD 88102
Released
1985
Country
France
Format
Album · Stereo
Barcode
3269658810226
5,321,353albums tracked
0copies listed for sale
Tracklist

What’s on it

Chant Grégorien - Liturgie Du Vendredi Saint has 11 tracks, about 59:35 of music. Open a track to see who wrote, played on and produced it.

  1. 1Répons : "Tenebrae Facta Sunt", Mode De Sol
  2. 2Leçon De Ténèbres : "De Lamentatione Jeremiae Prophetae" Sur Un Ton De Silos
    Vocals
    Hervé Lamy
  3. 3Répons : "Velum Templi", Mode De Ré
  4. 4Leçon De Ténèbres : "Lamed" Sur Un Ton De Tolède
    Vocals
    Jean-Pascal Ollivry
  5. 5Répons : "Animam Meam", Mode De Sol
  6. 6Antienne "Alieni Insurrexerunt", Psaume I.III, Ton De Ré
  7. 7Leçon D'Hilaire De Poitiers, Ton De Ré
    Vocals
    Dominique Dauzet
  8. 8Répons : "Insurrexerunt In Me", Mode En Mi
  9. 9"Trisagerion" Et "Improperia"
    Vocals
    Guillaume Faÿ
  10. 10Passion Selon Saint-Jean
    Vocals
    François Polgár, Hervé Lamy, Jean-Pascal Ollivry
  11. 11Hymne "Pange Lingua Gloriosi Lauream", Ton De Ré
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Provenance

Where it came from

Released in 1985 on the Erato label, this recording of the Good Friday liturgy serves as a significant archival effort by the Chœur Grégorien de Paris. The album captures the solemn, monophonic character of Gregorian chant, reflecting a period in the 1980s when there was a scholarly and liturgical resurgence in the study of early music. It was produced to provide an authentic auditory representation of one of the most somber days in the Christian calendar, emphasizing the meditative and rhythmic nuances essential to the chant tradition.

The musical direction of the ensemble was guided by the rigorous traditions of French chant performance, aiming for a purity of tone that avoids modern embellishment. The design of the release reflects Erato’s commitment to high-fidelity classical documentation during that era, positioning the recording not merely as a religious tool but as a significant cultural artifact for musicologists. It received recognition from critics interested in early Western music for its technical precision and the ensemble's ability to maintain the meditative atmosphere required for the liturgical sequence.

Written by Pi, the helpful collecto.rs AI

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