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CDs

Orgelmusik Aus Der Matthias-Basilika In Trier

Alfred Müller-Kranich

Artist
Alfred Müller-Kranich
Label
Psallite
Catalog number
CD 60201
Released
1997
Country
Germany
Format
Album
Barcode
4008950602011
5,321,353albums tracked
0copies listed for sale
Tracklist

What’s on it

Orgelmusik Aus Der Matthias-Basilika In Trier has 9 tracks. Open a track to see who wrote, played on and produced it.

  1. 1Nr. 4: Marche (F-Dur)
    Composed By
    Louis J.A. Lefébure-Wely
  2. 7Nr. 9: Cantilène (A-Moll)
    Composed By
    Théodore Salomé
  3. 12Scherzando, Paraphrase über Das Matthias-Lied "Zu Der Apostel Zahl"
    Composed By
    Alfred Müller-Kranich
  4. 13Rondeau
    Composed By
    Alfred Müller-Kranich
  5. 14Choral Romantique
    Composed By
    Alfred Müller-Kranich
  6. 15Final
    Composed By
    Alfred Müller-Kranich
  7. 16Marche C-Dur
    Composed By
    Louis J.A. Lefébure-Wely
  8. 17Pastorale G-Dur
    Composed By
    Louis J.A. Lefébure-Wely
  9. 18Sortie Es-Dur
    Composed By
    Louis J.A. Lefébure-Wely
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Provenance

Where it came from

Released in 1997 on the Psallite label, this recording features organist Alfred Müller-Kranich performing on the historic instrument housed within the Matthias-Basilika in Trier, Germany. The album was produced to capture the specific acoustic qualities and the distinct tonal character of the basilica's organ, which serves as a central liturgical and musical landmark in the region. Psallite, a label known for its dedication to sacred and classical liturgical music, curated this release to document the repertoire that resonates within this specific historical space.

Alfred Müller-Kranich, a distinguished organist and composer, approached the recording with a focus on highlighting the architectural resonance of the basilica through a selection of classical and organ-specific literature. The design and production reflect the aesthetic standards of 1990s classical archival recordings, prioritizing a faithful representation of the instrument's mechanical and pipe-work intricacies. Upon its release, the recording was primarily received by musicologists and organ enthusiasts interested in the preservation of regional German church music traditions.

Written by Pi, the helpful collecto.rs AI

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