Rey De Mi Folclor
Alberto Beto Jamaica
- Artist
- Alberto Beto Jamaica
- Label
- Codiscos
- Catalog number
- C11450301
- Released
- 2006
- Country
- Colombia
- Format
- Album
- Barcode
- 7703770503018
What’s on it
Rey De Mi Folclor has 14 tracks, about 1:07:26 of music. Open a track to see who wrote, played on and produced it.
1Rey De Mi Folclor
- Written-By
- Jorge Rojas (7)
2Disfrútame
- Written-By
- José Alfonso Chiche Maestre
3.1Nochebuena
- Written-By
- Lucho Bermudez
4No Me Duele Más
- Written-By
- Hernán Urbina Joiro
5Luz Mila
- Written-By
- Tomás Alfonso Zuleta Díaz
6El Lenguaje De Mis Besos
- Written-By
- Indira De La Cruz
7Toca Cachaco
- Written-By
- José Triana
8El Verdadero Amor
- Written-By
- Luis "Lucho" Díaz
9El Libre
- Written-By
- Camilo Namén
10Amores Con Mi Acordeón
- Written-By
- Iván Gil Molina
11Campanitas De Navidad
- Written-By
- Romualdo Brito
12De Nuevo En El Festival
- Written-By
- Alberto Beto Jamaica
13Lo Que Yo Más Quiero
- Written-By
- Leonardo Gómez Jr.
13El Gallito Blanco
- Written-By
- Gustavo "Tavo" Rangel
Where to find one
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Where it came from
Released in 2006 by the storied Colombian label Codiscos, Rey De Mi Folclor stands as a definitive showcase of Alberto Beto Jamaica’s virtuosity on the accordion. The album emerged during a period when the traditional vallenato sound was being heavily influenced by commercial fusion, positioning Jamaica’s work as a deliberate effort to preserve and celebrate the authentic roots of the genre. By emphasizing the rhythmic complexity and melodic heritage of his regional style, Jamaica aimed to solidify his reputation not merely as a performer, but as a custodian of the vallenato tradition.
The album's design and production reflect the aesthetic sensibilities of mid-2000s Colombian music packaging, characterized by a bold, direct presentation meant to appeal to a broad base of vallenato enthusiasts. Alberto Beto Jamaica, long recognized as a master of the instrument, sought to capture the energy of a live ensemble performance within a studio setting. Upon its release, the record was well-received by regional critics and traditionalists who viewed it as a respectful interpretation of the genre's canon, further cementing Jamaica’s standing within the competitive landscape of the Colombian music industry.
Written by Pi, the helpful collecto.rs AI
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About Rey De Mi Folclor
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