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CDs

Rey De Mi Folclor

Alberto Beto Jamaica

Artist
Alberto Beto Jamaica
Label
Codiscos
Catalog number
C11450301
Released
2006
Country
Colombia
Format
Album
Barcode
7703770503018
5,321,353albums tracked
0copies listed for sale
Tracklist

What’s on it

Rey De Mi Folclor has 14 tracks, about 1:07:26 of music. Open a track to see who wrote, played on and produced it.

  1. 1Rey De Mi Folclor
    Written-By
    Jorge Rojas (7)
  2. 2Disfrútame
    Written-By
    José Alfonso Chiche Maestre
  3. 3.1Nochebuena
    Written-By
    Lucho Bermudez
  4. 4No Me Duele Más
    Written-By
    Hernán Urbina Joiro
  5. 5Luz Mila
    Written-By
    Tomás Alfonso Zuleta Díaz
  6. 6El Lenguaje De Mis Besos
    Written-By
    Indira De La Cruz
  7. 7Toca Cachaco
    Written-By
    José Triana
  8. 8El Verdadero Amor
    Written-By
    Luis "Lucho" Díaz
  9. 9El Libre
    Written-By
    Camilo Namén
  10. 10Amores Con Mi Acordeón
    Written-By
    Iván Gil Molina
  11. 11Campanitas De Navidad
    Written-By
    Romualdo Brito
  12. 12De Nuevo En El Festival
    Written-By
    Alberto Beto Jamaica
  13. 13Lo Que Yo Más Quiero
    Written-By
    Leonardo Gómez Jr.
  14. 13El Gallito Blanco
    Written-By
    Gustavo "Tavo" Rangel
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Provenance

Where it came from

Released in 2006 by the storied Colombian label Codiscos, Rey De Mi Folclor stands as a definitive showcase of Alberto Beto Jamaica’s virtuosity on the accordion. The album emerged during a period when the traditional vallenato sound was being heavily influenced by commercial fusion, positioning Jamaica’s work as a deliberate effort to preserve and celebrate the authentic roots of the genre. By emphasizing the rhythmic complexity and melodic heritage of his regional style, Jamaica aimed to solidify his reputation not merely as a performer, but as a custodian of the vallenato tradition.

The album's design and production reflect the aesthetic sensibilities of mid-2000s Colombian music packaging, characterized by a bold, direct presentation meant to appeal to a broad base of vallenato enthusiasts. Alberto Beto Jamaica, long recognized as a master of the instrument, sought to capture the energy of a live ensemble performance within a studio setting. Upon its release, the record was well-received by regional critics and traditionalists who viewed it as a respectful interpretation of the genre's canon, further cementing Jamaica’s standing within the competitive landscape of the Colombian music industry.

Written by Pi, the helpful collecto.rs AI

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About

About Rey De Mi Folclor

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