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CDs

Walzer, Marsch Und Teufelsklänge: Musik Zu Thomas-Mann-Filmen

Various

Artist
Various
Label
RCA Red Seal
Catalog number
74321 73524 2
Released
2001
Country
Germany
Format
Compilation
Barcode
743217352424
5,321,353albums tracked
0copies listed for sale
Tracklist

What’s on it

Walzer, Marsch Und Teufelsklänge: Musik Zu Thomas-Mann-Filmen has 8 tracks, about 27:40 of music. Open a track to see who wrote, played on and produced it.

  1. 1Titelmusik
    Composed By
    Hans-Martin Majewski
    Conductor
    Hans-Martin Majewski
    Orchestra
    Hans-Martin Majewski und das Filmorchester München
  2. 2Chrysanthemen-Ball · Walzer
    Composed By
    Werner Eisbrenner
    Conductor
    Werner Eisbrenner
    Orchestra
    Das Berliner Studio-Orchester
  3. 3Titelmusik Und Finale
    Composed By
    Rolf Wilhelm
    Conductor
    Rolf Wilhelm
    Orchestra
    Freies Filmorchester Berlin
  4. 7Titelmusik (urspr. Tonio Kröger)
    Composed By
    Rolf Wilhelm
    Conductor
    Rolf Wilhelm
    Orchestra
    Freies Filmorchester Berlin
  5. 8Titel Und Finale
    Composed By
    Eugen Thomass
    Conductor
    Eugen Thomass
    Orchestra
    Radio Symphony Orchestra Warsaw
  6. 11Auf Dem Zauberberg
    Composed By
    Jürgen Knieper
    Conductor
    Caspar Richter
    Orchestra
    Orchester Der Deutschen Oper Berlin
  7. 16Auftakt Und Titelmusik
    Composed By
    Rolf Wilhelm
    Conductor
    Rolf Wilhelm
    Orchestra
    Studio-Orchester
  8. 21Finale
    Composed By
    Christian Brandauer
    Synthesizer
    Christian Brandauer
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Provenance

Where it came from

Released in 2001 by RCA Red Seal, this compilation album brings together various musical scores composed for film adaptations of Thomas Mann's literary works. The collection was curated to explore the intersection of early twentieth-century German literature and the cinematic language of the late twentieth century, highlighting how filmmakers utilized specific orchestral pieces to mirror Mann’s complex themes of decadence, irony, and bourgeois decline.

The album features a selection of pieces that define the sonic atmosphere of iconic Mann-related cinema, including works frequently associated with adaptations like 'Death in Venice' and 'The Magic Mountain'. The design and programming reflect a thoughtful approach to period-appropriate arrangements, aiming to capture the specific aesthetic of the eras Mann described. Upon release, it was well received by cinephiles and scholars who appreciated the curated effort to bridge the gap between Mann's prose and the emotive, often melancholic scores that define these cinematic interpretations.

Written by Pi, the helpful collecto.rs AI

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About

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