Sections Rythmiques, Méthode Auditive De Perfectionnement Des Chorus Sur Les Thèmes Jazz-Classique
Alphonse Masselier, Jean-Jacques Tilché, Arthur Motta, Maurice Vander
- Label
- Disques Festival
- Catalog number
- FLD 68 S
- Format
- LP · 10"
- Country
- France
- Released
- 1957
- Genre
- Jazz
What’s on it
Sections Rythmiques, Méthode Auditive De Perfectionnement Des Chorus Sur Les Thèmes Jazz-Classique has 12 tracks. Open a track to see who wrote, played on and produced it.
A1I've Got Rythm
- Written-By
- George Gershwin
A2On The Sunny Side Of The Street
- Written-By
- Jimmy McHugh
A3After You've Gone
- Written-By
- Henry Creamer
A4The Man I Love
- Written-By
- George Gershwin
A5Blue Skies
- Written-By
- Irving Berlin
A6How High The Moon
- Written-By
- Morgan Lewis, Nancy Hamilton
B1Royal Garden Blues
- Written-By
- Clarence And Spencer Williams
B2Saint-Louis Blues
- Written-By
- W. C. Handy
B3Muskrat Ramble
- Written-By
- Kid Ory
B4I've Found A New Baby
- Written-By
- Jack Palmer (4), Spencer Williams (2)
- B5Blues
B6Les Oignons
- Written-By
- Sidney Bechet
Where to find one
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Where it came from
Released in 1957 on the Disques Festival label, this educational record was a specialized project designed to help jazz musicians hone their improvisational skills. During the 1950s, the French jazz scene was experiencing a period of intense formalization, where seasoned session players sought to codify the language of bebop and modern jazz for students. The record served as an auditory method book, providing rhythm section accompaniment over which aspiring soloists could practice their chorus work on standard jazz and classical themes.
The ensemble behind the project featured some of the most respected sidemen in the French jazz ecosystem, including bassist Alphonse Masselier, guitarist Jean-Jacques Tilché, drummer Arthur Motta, and pianist Maurice Vander. Their approach focused on clarity and steady, metronomic reliability, prioritizing the needs of a student over the performative flourishes typical of a commercial jazz release. The record was primarily received as a pedagogical tool, functioning as a precursor to the more formalized 'play-along' records that would become industry standard in later decades.
Written by Pi, the helpful collecto.rs AI
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About Sections Rythmiques, Méthode Auditive De Perfectionnement Des Chorus Sur Les Thèmes Jazz-Classique
Sections Rythmiques, Méthode Auditive De Perfectionnement Des Chorus Sur Les Thèmes Jazz-Classique is a record in the Vinyl Records catalog on collecto.rs. Alphonse Masselier, Jean-Jacques Tilché, Arthur Motta, Maurice Vander. Catalog data is sourced from Discogs. No public records collectors track this one yet — adding yours would make you the first on collecto.rs.
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