Symphony No.18 In F Major K.130, No.30 In D Major K.202, No.22 In C Major K.162*, No.37 In G Major K.444**

Released in the mid-1950s by Westminster Records, this recording features the Philharmonic Symphony Orchestra of London conducted by Erich Leinsdorf. During this era, Westminster was highly regarded in the high-fidelity community for its 'Natural Balance' recording technique, which sought to capture the acoustic properties of concert halls with greater clarity than many of its contemporaries. These symphonies represent Mozart's transition from his early, more conventional compositions into his distinctively mature symphonic style.

The sleeve design reflects the mid-century aesthetic of Westminster's XWN series, which often prioritized understated, elegant typography and minimalist covers. The selection of works highlights the scholarly approach to cataloging Mozart's output, including the symphonies numbered 30 and 37, the latter of which features an introduction attributed to Michael Haydn. The release was generally well-received by classical music enthusiasts of the time for Leinsdorf’s disciplined, brisk approach to Mozart's phrasing, which avoided the overly romanticized interpretations common in earlier recordings.