Carmen McRae At The Great American Music Hall Vol. 2
Carmen McRae
- Artist
- Carmen McRae
- Label
- Blue Note
- Catalog number
- TOCJ-50562
- Released
- 2013
- Country
- Japan
- Format
- Album · Limited Edition · Reissue · Remastered
- Barcode
- 4988006552180
What’s on it
Carmen McRae At The Great American Music Hall Vol. 2 has 10 tracks, about 37:41 of music. Open a track to see who wrote, played on and produced it.
1Don't Misunderstand
- Written-By
- Gordon Parks
2A Beautiful Friendship
- Written-By
- Donald Kahn, Stanley Styne
3Star Eyes
- Written-By
- Don Raye, Gene DePaul
4Dindi
- Written-By
- Aloysio De Oliveira, Antonio Carlos Jobim, Ray Gilbert
5Never Let Me Go
- Written-By
- Jay Livingston, Ray Evans
6T'ain't Nobody's Bizness If I Do
- Written-By
- Everett Robbins, Porter Grainger
7Only Women Bleed
- Written-By
- Alice Cooper (2), Dick Wagner
8No More Blues (Chega De Saudade)
- Written-By
- Antonio Carlos Jobim, Jessie Cavanaugh, Jon Hendricks, Vinicius De Moraes
9The Folks Who Live On The Hill
- Written-By
- Oscar Hammerstein II
- 10Closing
Where to find one
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Where it came from
Recorded live in 1976 at the Great American Music Hall in San Francisco, this performance captures Carmen McRae at the peak of her interpretive powers. The sessions were intended to document the intimacy and conversational nuance that defined her residency at the venue, showcasing a tight trio configuration that allowed for spontaneous phrasing and rhythmic interplay. While the first volume of these recordings was released shortly after the sessions, the second volume remained in the Blue Note vaults for decades.
The 2013 release of Vol. 2 served to complete the historical picture of this acclaimed engagement, curated to highlight McRae's sophisticated command of the jazz standard repertoire. The design of this release adheres to Blue Note’s archival standards, prioritizing the sonic fidelity of the original tapes while providing a missing link in the discography of one of the 20th century's most influential jazz vocalists. Critics and jazz historians received the release as a necessary archival restoration, praising the unvarnished authenticity of the live recording process.
Written by Pi, the helpful collecto.rs AI
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