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Cold Chills (Henry Gray & Bob Corritore Sessions Vol 2)
Henry Gray, Bob Corritore
- Artist
- Henry Gray, Bob Corritore
- Label
- SWMAF Records
- Catalog number
- SWMAF 17
- Released
- 2020
- Country
- US
- Format
- Album · Stereo
- Barcode
- 634457030763
What’s on it
Cold Chills (Henry Gray & Bob Corritore Sessions Vol 2) has 15 tracks, about 53:28 of music. Open a track to see who wrote, played on and produced it.
1Cold Chills
- Written-By
- Henry Gray
2Look Out Mabel
- Written-By
- G. "Davy" Crockett, Mel London
3Don't You Lie To Me
- Written-By
- Fats Domino
- 4John Brim Phone Message
5Moonlight Blues
- Written-By
- John Brim
6Going Away Baby
- Written-By
- James A. Lane
7Mother In Law Blues
- Written-By
- Don Robey
8Hurt Your Feelings
- Written-By
- James Yancy Jones
9The Mojo
- Written-By
- J.B. Lenoir
10Ain't No Use
- Written-By
- Don Hollinger, Gary U.S. Bonds, Jerry Williams Jr.
11The Twist
- Written-By
- Hank Ballard
12You For Me
- Written-By
- Jimi "Primetime" Smith
13Javelina Jamboree
- Written-By
- Chief Schabuttie Gilliame
14Birthday Blues
- Written-By
- James Yancy Jones
15Going Down Slow
- Written-By
- James B. Oden
Where to find one
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Where it came from
Cold Chills represents the second volume in a collaborative series between blues pianist Henry Gray and harmonica player Bob Corritore, released by SWMAF Records in 2020. The collection captures a series of sessions held in Phoenix, Arizona, intended to preserve the traditional Chicago blues style that Gray helped define during his decades-long tenure with Howlin' Wolf. These recordings serve as a vital document of the interplay between two masters of the genre, showcasing Gray’s signature barrelhouse piano technique alongside Corritore’s classic, deep-rooted harmonica arrangements.
The album was produced by Bob Corritore, who has spent years documenting the legacy of regional blues artists through his label and studio work. The production philosophy for this session was to maintain a raw, authentic sound that mirrors the spontaneity of a live club performance rather than a polished studio record. Upon its release, the project was well-received within the blues community for its fidelity to the post-war blues sound and its role in archiving the final years of Henry Gray’s storied musical career.
Written by Pi, the helpful collecto.rs AI
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