Das Klavier Mit Pierre-Laurent Aimard
Pierre-Laurent Aimard
- Artist
- Pierre-Laurent Aimard
- Label
- Deutsche Grammophon
- Catalog number
- 00289 4802467
- Released
- 2009
- Country
- Europe
- Format
- Album
- Barcode
- 0028948024674
What’s on it
Das Klavier Mit Pierre-Laurent Aimard has 14 tracks, about 1:11:57 of music.
- 1Die Kunst Der Fuge BWV 1080: Contrapunct IX, A4 Alla Duodecima
- 2Rondo a cappriccio op. 129 G-Dur "Die Wut über den verlorenen Groschen"
- 3Hämmer, Saiten Und Tasten
- 4Mikrokosmos: Nr. 138 Dudelsack
- 5Schwarze Tasten, Weiße Tasten
- 6.1Preludes Heft 1: La Cathedrale Engloutie
- 7Die Kunst Der Fuge BWV 1080: Contrapunctus I & Die Kunst Der Fuge BWV 1080: Contrapunct IX, A4 Alla Duodecima
- 8.1Die Kunst Der Fuge BWV 1080: Contrapunct IX, A4 Alla Duodecima
- 9.1Qutre Etudes de Rhythme: Ile De Feu I (Feuerinsel)
- 10Preludes: La Colombe (Die Taube)
- 11Preludes: La Colombe (Die Taube)
- 12Das Klavier Als Vogel
- 13Catalogue D'Oiseaux: L'Alouette Lulu (Die Heidelerche)
- 14Preludes: La Colombe (Die Taube)
Where to find one
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Where it came from
Released in 2009 by Deutsche Grammophon, Das Klavier serves as a comprehensive anthology of Pierre-Laurent Aimard's interpretative mastery. Conceived as a definitive look at the pianist's focus on the keyboard repertoire, the collection spans several centuries, reflecting Aimard's reputation as a bridge between the foundational classics and the complexities of modern avant-garde compositions. It captures a pivotal moment in his career, documenting his long-standing collaboration with the label and his specific technical approach to varying tonal landscapes.
The collection was curated to showcase Aimard’s intellectual and disciplined approach to the piano, moving seamlessly from the structures of Bach to the rigorous demands of Ligeti and Messiaen. The design aesthetic aligns with Deutsche Grammophon’s classic minimalist presentation, prioritizing clarity and professional gravitas. Critical reception at the time of release praised the set for its coherence, noting that the selection acts less as a sampler and more as a curated statement on the evolution of piano performance, cementing Aimard's status as a formidable scholar-performer.
Written by Pi, the helpful collecto.rs AI
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