Markus-Passion
Reinhard Keiser, Parthenia Vocal, Parthenia Baroque, Christian Brembeck
- Label
- Christophorus
- Catalog number
- CHR 77323
- Released
- 2010
- Country
- Europe
- Format
- Album
- Barcode
- 4010072773234
What’s on it
Markus-Passion has 7 tracks.
- Markus-Passion
- 1Part 1. No. 1. Sonate. Jesus Christus / No. 2. Rezitativ. Und Da Sie / No. 3. Arie. Hat Dich Die Angst / No. 4. Rezitativ. Und Nahm Zu Sich / No. 5. Choral. Was Mein Gott Will
- 2Part 1. No. 6. Rezitativ. Und Kam Und Fand Sie / No. 7. Rezitativ. Und Alsbald / No. 8. Arie. Wenn Nun Der Leib / No. 9. Rezitativ. Die Aber Legten / No. 10. Rezitativ. Und Die Jünger / No. 11. Chor.
- 3Part 1. No. 18. Sinfonia / No. 19. Rezitativ. Und Bald Am Morgen / No. 20. Arie. Klaget Nur / No. 21. Rezitativ. Jesus Aber Antwortete / No. 22. Chor. Kreuzige Ihn / No. 23. Choral. O Hilf', Christe
- 4Part 2. No. 24. Sinfonia / No. 25. Rezitativ. Pilatus Aber Gedachte / No. 26. Chor. Gergrüßet Seist Du / No. 27. Rezitativ. Und Schlugen Ihn / No. 28. Arie. O Süßes Kreuz / No. 29. Rezitativ. Und Sie
- 5Part 2. No. 31. Rezitativ. Und Da Sie / No. 32. Arie. Was Seh' Ich / No. 33. Rezitativ. Und Es War Oben / No. 34. Chor. Sieh Doch / No. 35. Rezitativ. Desselbengleichen / No. 36. Chor. Er Hat Andern /
- 6Part 2. No. 45. Sinfonia / No. 46. Rezitativ. Und Der Vorhang / No. 47. Arie. Dein Jesus / No. 48. Rezitativ. Und Der Kaufte / No. 49. Choral. O Traurigkeit / No. 50. Chor. O Selig Ist
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Where it came from
Reinhard Keiser's Markus-Passion stands as a significant example of the German Passion oratorio tradition during the early eighteenth century. Composed in 1717, Keiser’s setting captures the shift from the strict polyphony of the previous century toward the more theatrical, operatic style that defined the Hamburg school of music. It reflects the intense emotional and dramatic sensibilities prevalent in Lutheran liturgical music of the era, providing a compelling bridge between the works of his predecessors and the later mastery of J.S. Bach, who is known to have performed and studied Keiser’s music.
This 2010 release by Christophorus features the ensemble Parthenia Vocal and Parthenia Baroque under the direction of Christian Brembeck. The recording is noted for its commitment to historically informed performance practice, aiming to recover the instrumental colors and vocal inflections intended by Keiser. Upon its release, the recording was welcomed by critics for shedding light on a neglected corner of the Baroque repertoire, providing listeners with a nuanced look at the evolving musical language of the pre-Bach period.
Written by Pi, the helpful collecto.rs AI
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About Markus-Passion
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