Markus-Passion
Reinhard Keiser, Parthenia Vocal, Parthenia Baroque, Christian Brembeck
- Label
- Christophorus
- Catalog number
- CHR 77421
- Released
- 2018
- Country
- Germany
- Format
- Reissue
- Barcode
- 4010072774217
What’s on it
Markus-Passion has 7 tracks.
- Passionsoratorium Nach Dem Evangelisten Markus (c 1717) - Passion Oratorio According To St Mark
- 1Part 1. No. 1. Sonate. Jesus Christus / No. 2. Rezitativ. Und Da Sie / No. 3. Arie. Hat Dich Die Angst / No. 4. Rezitativ. Und Nahm Zu Sich / No. 5. Choral. Was Mein Gott Will
- 2Part 1. No. 6. Rezitativ. Und Kam Und Fand Sie / No. 7. Rezitativ. Und Alsbald / No. 8. Arie. Wenn Nun Der Leib / No. 9. Rezitativ. Die Aber Legten / No. 10. Rezitativ. Und Die Jünger / No. 11. Chor.
- 3Part 1. No. 18. Sinfonia / No. 19. Rezitativ. Und Bald Am Morgen / No. 20. Arie. Klaget Nur / No. 21. Rezitativ. Jesus Aber Antwortete / No. 22. Chor. Kreuzige Ihn / No. 23. Choral. O Hilf', Christe
- 4Part 2. No. 24. Sinfonia / No. 25. Rezitativ. Pilatus Aber Gedachte / No. 26. Chor. Gergrüßet Seist Du / No. 27. Rezitativ. Und Schlugen Ihn / No. 28. Arie. O Süßes Kreuz / No. 29. Rezitativ. Und Sie
- 5Part 2. No. 31. Rezitativ. Und Da Sie / No. 32. Arie. Was Seh' Ich / No. 33. Rezitativ. Und Es War Oben / No. 34. Chor. Sieh Doch / No. 35. Rezitativ. Desselbengleichen / No. 36. Chor. Er Hat Andern /
- 6Part 2. No. 45. Sinfonia / No. 46. Rezitativ. Und Der Vorhang / No. 47. Arie. Dein Jesus / No. 48. Rezitativ. Und Der Kaufte / No. 49. Choral. O Traurigkeit / No. 50. Chor. O Selig Ist
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Where it came from
Reinhard Keiser’s Markus-Passion was originally composed in the early 18th century, serving as a significant example of the Hamburg Baroque style that influenced many composers of the era, including J.S. Bach. This particular 2018 recording on the Christophorus label seeks to revive Keiser’s complex, dramatic approach to the Passion narrative, which often prioritizes theatricality and emotive vocal lines over the strictly liturgical conventions of the time.
The recording features the ensemble Parthenia Vocal and Parthenia Baroque, led by conductor Christian Brembeck. The production was intended to showcase the structural sophistication of Keiser’s score, utilizing period-informed performance practices to highlight the intricate interplay between the soloists and the instrumentalists. Upon its release, it was well-received by early music enthusiasts for its clean, expressive interpretation and for bringing renewed scholarly and artistic attention to a work that had long been overshadowed by its successors.
Written by Pi, the helpful collecto.rs AI
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About Markus-Passion
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