Markus-Passion
Carl Philipp Emanuel Bach, Knabenkantorei Basel, Ad Fontes (2), Beat Raaflaub
- Label
- Ars Musici
- Catalog number
- AM 1110-2
- Released
- 1994
- Country
- Germany
- Format
- Album · Stereo
- Barcode
- 4017563111025
What’s on it
Markus-Passion has 37 tracks.
- St. Mark Passion, For Soloists, Chorus & Orchestra, H. 799
- 1-1Chor: Gehet Aus Und Schauet
- 1-2Rezitativ: Und Nach Zween Tagen War Ostern
- 1-3Arie: Was Soll Ich Für Ein Glas Zerbrechen?
- 1-4Rezitativ: Da Waren Etliche
- 1-5Choral: Ihr Anschläg, Herr, Zunichte Mach
- 1-6Rezitativ: Und Am Ersten Tage
- 1-7Arie: Schrecklich Harter Ausdruck
- 1-8Rezitativ: Und Indem Sie Assen
- 1-9Choral: Das Ist Mein Blut
- 1-10Choral: Ich Will von Deiner Lieblichkeit
- 1-11Rezitativ: Und Da Sie Den Lobgesang
- 1-12Rezitativ: Und Jesus Sprach Zu Ihnen
- 1-13Arie: Der Fels Vor Dem Die Felsen
- 1-14Rezitativ: Und Kam Und Fand Sie Schlafend
- 1-15Chor: Wache Auf, Der Du Schläfst
- 1-16Rezitativ: Und Alsobald, Da Er Noch Redete
- 1-17Choral: Und Lass Mich An Dir Kleben
- 2-1Choral: Christus, Der Uns Selig Macht
- 2-2Rezitativ: Und Sie Führeten Jesum
- 2-3Choral: Wer Hat Dich So Geschlagen
- 2-4Rezitativ: Und Petrus War Darnieden
- 2-5Arie: Dich, Petrus, Weckt Der Muntre Hahn
- 2-6Choral: Wein', Ach Wein' Jetzt Um Die Wette
- 2-7Sinfonia
- 2-8Rezitativ: Und Bald Am Morgen
- 2-9Duett: Brich, Mein Herz
- 2-10Rezitativ: Die Kriegsknechte Aber Führeten Ihn
- 2-11Choral: O Haupt Voll Blut Und Wunden
- 2-12Rezitativ: Und Sie Schlugen Ihm Das Haupt
- 2-13Arie: Wo Ist Das Kreuz?
- 2-14Choral: Drum Will Ich, Weil Ich Lebe Noch
- 2-15Arie: Und Sie Brachten Ihn An Die Stätte
- 2-16Rezitativ: Und Es War Um Die Dritte Stunde
- 2-17Arie: Nun Will Ich Auch Nicht Länger Leben
- 2-18Rezitativ: Und Der Vorhang Im Tempel Zerriss
- 2-19Chor: Die Hochbetrübten Weiber Sehen
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Where it came from
The Markus-Passion, attributed to Carl Philipp Emanuel Bach, was composed during his tenure as music director in Hamburg. Historically, this work was long thought to be a pasticcio incorporating movements from earlier composers, including his father, Johann Sebastian Bach, and his godfather, Georg Philipp Telemann. It serves as a significant example of the mid-18th-century North German liturgical tradition, where dramatic narrative and emotional expression began to shift away from strictly baroque structures toward the Empfindsamer Stil, or sensitive style, favored by C.P.E. Bach.
This 1994 recording by the Knabenkantorei Basel, directed by Beat Raaflaub, was produced by Ars Musici to provide a historically informed interpretation of the score. By utilizing period instruments through the ensemble Ad Fontes, the production sought to capture the nuanced, shifting textures of the composition. Upon its release, the recording was recognized for its dedication to the pedagogical and stylistic nuances of the choral tradition, serving as a vital reference for listeners interested in the transition between the high baroque and the classical period.
Written by Pi, the helpful collecto.rs AI
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About Markus-Passion
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