The Brendan Voyage (Reise In Die Anderwelt)
Rüdiger Oppermann
- Artist
- Rüdiger Oppermann
- Label
- Klangwelten Records
- Catalog number
- ISBN 978-3-944380-02-5
- Released
- 2013
- Country
- Germany
- Format
- Album
What’s on it
The Brendan Voyage (Reise In Die Anderwelt) has 31 tracks, about 1:58:23 of music.
- 1Intro/Brendan Fanfare
- 2Immram - Beginn der Erzählung
- 3Beginn der Reise
- 4Der Erzähler
- 5Kyrie/Hildegardsmelodie
- 6Reflexion: Der frühe Klang
- 7Text: Der Vogel Greif
- 8Irish Set 1
- 9Die Insel der Vögel: Text
- 10Die Insel der Vögel: Musik
- 11Kampf der Meeres-Ungeheuer: Text
- 12Kampf der Meeres-Ungeheuer: Musik
- 13Sturm kommt auf - Text
- 14Strong Winds, Heavy Sea
- 1Die gläsernen Türme 1
- 2Die gläsernen Türme 2
- 3Hó Aidhin
- 4Irish Set 2
- 5Die Insel der Eremiten
- 6Song aus der Anderwelt
- 7Immram: Die Geschichte des Jasconius
- 8Eliz Ysa
- 9Die Insel der höllischen Schmiede
- 10Das Meer brennt
- 11Insel der singenden Mönche
- 12Ibunt Sancti
- 13Reflexions - Der frühe Klang 2
- 14Cantain na gCloch/Mandri Brendan
- 15Die Rückkehr
- 16Finale
- 17Brendan Fanfare
Where to find one
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Where it came from
Released in 2013 on the Klangwelten Records label, The Brendan Voyage serves as a sonic exploration of the legendary sixth-century monastic voyage of Saint Brendan. Rüdiger Oppermann, a prominent German harpist known for his cross-cultural musical experiments, composed this work to bridge the gap between ancient Celtic mythology and contemporary world music aesthetics. The album is deeply rooted in the tradition of musical storytelling, utilizing the Celtic harp as the narrative anchor to evoke the oceanic expanse and spiritual solitude of the legendary journey.
The project emerged from Oppermann’s ongoing commitment to the Klangwelten project, a long-standing initiative focused on fostering dialogue between diverse musical traditions. In terms of design and composition, the work reflects a minimalist yet atmospheric approach, aiming to transport the listener through soundscapes that evoke early medieval sea travel rather than traditional folk structures. While the album is a niche release within the world-music sphere, it is widely regarded by critics as a poignant distillation of Oppermann’s decades-long study of the intersection between European folk heritage and improvisational performance.
Written by Pi, the helpful collecto.rs AI
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