Chant Grégorien - Anthologie Grégorienne
Chœur Des Moines De L'Abbaye Saint-Pierre De Solesmes, Dom Joseph Gajard
- Label
- Festival Classique
- Catalog number
- FC 536
- Format
- LP · Album · Reissue · Stereo
- Country
- France
- Released
- 1982
- Genre
- Classical
What’s on it
Chant Grégorien - Anthologie Grégorienne has 12 tracks, about 37:53 of music.
- A1Cloches :
- A2Répons : Judaea Et Jerusalem (4e Mode)
- A3Antienne D'entrée : Dominus Dixit Ad Me (2e Mode)
- A4Hymne : Hostis Herodes (3e Mode)
- A5Communion : Jerusalmen (4e Mode)
- A6Antienne : Pueri Hebraeorum (1er Mode)
- A7Répons : Tenebrae Factae Sunt (7e Mode)
- B1Hymne : Salve Festa Dies (4e Mode)
- B2Offertoire : Precatus Est (8e Mode)
- B3Gloria III Ad Libitum : (2e Mode)
- B4Agnus IV : (6e Mode)
- B5Toccata En Ut Majeur (J. S. Bach)
Where to find one
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Where it came from
The Chant Grégorien - Anthologie Grégorienne, released by Festival Classique in 1982, represents the long-standing efforts of the monks of the Abbey of Saint-Pierre de Solesmes to preserve and propagate the authentic tradition of Gregorian chant. Under the direction of Dom Joseph Gajard, who served as choirmaster for over four decades, the choir became internationally renowned for their rigorous application of the Solesmes method. This approach emphasized a fluid, oratorical rhythm derived from the study of ancient manuscripts, which the monks believed captured the original liturgical spirit of the compositions more accurately than the rigid, metronomic styles prevalent in earlier academic interpretations.
This recording functions as a comprehensive archival selection within the broader body of work produced by the abbey throughout the mid-20th century. Dom Gajard is widely credited with establishing the definitive aesthetic for the Solesmes choir, focusing on a clear, prayerful vocal quality that eschewed dramatic artifice in favor of meditative cohesion. Upon its release, such anthologies were received by scholars and liturgical practitioners as essential reference materials, serving as a standard-bearer for Roman Catholic chant during a period when the liturgical reforms of the Second Vatican Council were changing the role of traditional music within the church.
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About Chant Grégorien - Anthologie Grégorienne
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