System Rivièra
Neon Electronics
- Artist
- Neon Electronics
- Label
- LC Music
- Catalog number
- LCM 100006
- Released
- 2003
- Country
- Belgium
- Format
- Album
- Barcode
- 5425007240061
What’s on it
System Rivièra has 14 tracks, about 1:11:03 of music. Open a track to see who wrote, played on and produced it.
1Auto Introduction
- Producer
- Dirk Da Davo
2Auto-Love
- Producer
- Dimitri Dewever
3Nice And Sexy
- Producer
- Dimitri Dewever
4Buffalo Bill
- Producer
- Dirk Da Davo
- Vocals [Female Vox]
- Kika (10)
- Written-by [Additional]
- Jurlan
5Home
- Producer
- Dirk Da Davo
- Vocals [Female Vox]
- Kika (10)
- Written-by [Additional]
- TB Frank
6No Return
- Producer
- Dimitri Dewever
- Written-by [Additional]
- Dimitri Dewever
7Walls
- Vocals [Vox], Written-by [Additional]
- Ziggy Gazz
8Sept XL!
- Producer
- Dirk Da Davo
9Hotel
- Producer
- Dirk Da Davo, TB Frank
- Vocals [Vox]
- TB Frank
- Written-by [Additional]
- TB Frank
10Hi-Fi In Dub
- Producer
- Dimitri Dewever
11Sleepwalking
- Producer
- Dimitri Dewever
- Vocals [Female Vox]
- Kika (10)
12Nice And Sexy (Implant Remix)
- Producer
- Implant
- Remix
- Implant
13Saida (Dirk Da Davo's N.Eon.Ite Remix)
- Producer
- Dirk Da Davo
- Remix
- Dirk Da Davo
- Vocals [Vox]
- Saïda Harmouz
- Written-by [Original]
- Czerkinsky
14Auto-Love (Mnemonic Remix)
- Producer
- Mnemonic (2)
- Remix
- Mnemonic (2)
Where to find one
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Where it came from
System Rivièra was released in 2003 on the LC Music label, marking a significant entry in the early 2000s electronic music landscape. The project serves as a key work for Neon Electronics, an alias of Dirk Ivens, a foundational figure in the Belgian electronic and industrial music scenes known for his work with The Klinik and Dive. The album reflects an aesthetic shift toward colder, minimal synthesizer-driven arrangements that were gaining traction within European darkwave circles at the time.
The album's design and soundscapes draw heavily from the tradition of analog electronic experimentation, emphasizing stark, rhythmic precision and austere atmosphere. Rather than chasing the maximalist production trends of the early 2000s, the work was received as a deliberate homage to the pioneering synthesizer music of the late 1970s and early 1980s. Critics and fans of the genre appreciated the record for its restraint and the clarity of its synthetic textures, solidifying its place as a cult release within Ivens' extensive discography.
Written by Pi, the helpful collecto.rs AI
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