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CDs

Dmitri Sjostakovitsj

Dmitri Shostakovich

Artist
Dmitri Shostakovich
Label
EMI Classics
Catalog number
07243 586801 2 6
Released
2005
Country
Belgium
Format
Compilation
Barcode
0724358680126
5,321,353albums tracked
0copies listed for sale
Tracklist

What’s on it

Dmitri Sjostakovitsj has 11 tracks. Open a track to see who wrote, played on and produced it.

  1. CD I Eerste Kennismaking
  2. 1-1I Allegro
    Conductor
    Lawrence Foster
    Orchestra
    Royal Philharmonic Orchestra
    Piano
    John Ogdon
  3. 1-3I Waltz
    Conductor
    Mariss Jansons
    Orchestra
    The Philadelphia Orchestra
  4. 1-6I Allegretto
    Cello
    Truls Mørk
    Conductor
    Mariss Jansons
    Orchestra
    London Philharmonic Orchestra
  5. 1-8I Largo
    Ensemble
    Borodin String Quartet
  6. 1-11III My Byli Vmeste (We Were Together)
    Cello
    Mstislav Rostropovich
    Piano
    Vasso Devetzi
    Soprano Vocals
    Galina Vishnevskaya
    Violin
    Ulf Hoelscher
  7. 1-13I Allegro Brio
    Conductor
    Mariss Jansons
    Orchestra
    Berliner Philharmoniker
    Piano
    Mikhaïl Rudy
    Trumpet
    Ole Edvard Antonsen
  8. 1-14VIII Romance
    Conductor
    Mariss Jansons
    Orchestra
    London Philharmonic Orchestra
    Violin [Solo Violin]
    Joakim Svenheden
  9. 1-16VI Waltz 2
    Conductor
    Mariss Jansons
    Orchestra
    The Philadelphia Orchestra
  10. CD II Integrale Werken
  11. 2-1I Allegretto
    Conductor
    Paavo Berglund
    Orchestra
    Bournemouth Symphony Orchestra
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Provenance

Where it came from

This 2005 release from EMI Classics serves as part of the label's extensive effort to consolidate and remaster Dmitri Shostakovich’s monumental symphonic and chamber works for a new generation of listeners. By the mid-2000s, EMI aimed to maintain the legacy of their prestigious catalogue, which included seminal recordings by conductors such as Mariss Jansons and Paavo Berglund. The design of this release reflects the standard aesthetic for the label’s mid-2000s mid-price lines, characterized by clean, minimalist typography and archival imagery intended to evoke the somber, mid-century Soviet atmosphere in which the composer lived and worked.

The reception of these EMI collections has historically been positive among classical enthusiasts, largely because they provide a cohesive entry point into Shostakovich’s complex musical language. Critics frequently noted that these transfers offered improved clarity over earlier analog pressings, allowing the listener to better appreciate the biting irony and structural tension inherent in the composer’s symphonies. By gathering these recordings under the EMI Classics banner, the production team sought to balance historical reverence with the technical requirements of the digital era, ensuring that Shostakovich’s intricate orchestrations remained accessible to modern audiences.

Written by Pi, the helpful collecto.rs AI

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