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CDs

The Enigmatic Art Of Antonio And Francesco Maria Veracini

Rüdiger Lotter, Lyriarte

Artist
Rüdiger Lotter, Lyriarte
Label
Oehms Classics
Catalog number
OC 720
Released
2007
Country
Europe
Format
Album
Barcode
4260034867208
5,321,353albums tracked
0copies listed for sale
Tracklist

What’s on it

The Enigmatic Art Of Antonio And Francesco Maria Veracini has 33 tracks.

  1. Cantabile From Sonata Nona A Violino O Flauto E Basso
  2. 1Preludio
  3. Sonata Accademicha Op. 2 No. 5 A Violino Solo E Basso
  4. 2Allegro Assai
  5. 3Allegro Assai
  6. 4Allegro Assai
  7. Sonata Op. 1 No. 1 A Tre
  8. 5Grave
  9. 6Vivace
  10. 7Largo
  11. 8Allegro
  12. Sonata Op. 2 No. 3 A Violino E Cimbalo
  13. 9Cantabile
  14. 10Vivace
  15. 11Largo
  16. 12Aria: Largo
  17. 13Vivace
  18. Sonata Accademicha Op. 2 No. 12 A Violino Solo E Basso
  19. 14Passagallo, Largo Assai
  20. 15Allegro Ma Non Presto
  21. 16Adagio
  22. 17Ciaccona: Allegro Ma Non Presto
  23. Sonata Op. 1 No. 1 A Violino E Basso (In A Historical Transcription For Recorder And B.C.)
  24. 18Overture
  25. 19Aria: Affettuoso
  26. 20Paesana: Allegro
  27. 21Minute: Allegro
  28. 22Giga 'Postiglione': Allegro
  29. Sonata Nona A Violino, O Flauto Solo E Basso
  30. 23Cantabile
  31. 24Andante
  32. 25Adagio
  33. 26Allegro, Ma Affettuoso
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Provenance

Where it came from

Released in 2007 by Oehms Classics, this recording features the ensemble Lyriarte under the direction of violinist Rüdiger Lotter. The album serves as an exploration of the late Baroque sonatas composed by the Veracini family, specifically highlighting the virtuosic and idiosyncratic violin writing of Antonio Veracini and his nephew, Francesco Maria Veracini. The project emerged from a period of renewed academic and performance interest in the Italian Baroque repertoire, aiming to bring these technically demanding and emotionally complex works to a modern audience.

The interpretation is informed by historically informed performance practices, a movement that seeks to recreate the textures and tonal colors of the 18th century. Lotter and his ensemble focused on capturing the expressive, almost improvisatory nature of the sonatas, which were often noted in the period for their defiance of conventional compositional structures. Upon its release, the album was well-received by classical music critics for its technical precision and the ensemble's dedication to the nuanced, adventurous style characteristic of the Veracinis' compositions.

Written by Pi, the helpful collecto.rs AI

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